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Art Photo Collector

Posts tagged fashion:

"The desire to discover, the desire to move, to capture the flavor—three concepts that describe the art of photography."—Helmut Newton

Helmut Newton’s work is familiar to us because he’s had such an indelible impact on photography. His images have stretched our cultural psyche to accept, even embrace, the possibilities for fashion photography and portraiture. He has influenced many photographers and has shaped our ideas of how far an artist can push the boundaries and still get paid.

Paying tribute to his legacy, The Annenberg Space for Photography in Los Angeles is now exhibiting, until early September, work from Newton’s first three books: White Women, Sleepless Nights and Big Nudes. It is not often we get to see Newton’s work on such a grand scale. With over 125 prints (some as large as 6 feet) on display, it is a perfect opportunity to discover for yourself why Newton still matters. —Lane Nevares

"Beauty is a term that is always in development, it’s not a fixed thing and is very much subjective, so to me, it’s a perception." Erwin Olaf   

"It all begins with a dream," Erwin Olaf told a group of us last Saturday. His latest show, Berlin, currently on view in NYC at Hasted Kraeutler and in London at Hamiltons Gallery is true to form for Olaf: sumptuous images layered with narrative, rich with details, and perfectly executed.

Using his dreams as surrealistic launching points, Olaf described his process of finding themes, unifying them, and working with his design team to bring them to fruition. This latest series, Berlin, took him outside of his Amsterdam studio and into a city steeped in history, where he could shoot his tableaux inside noted buildings, some of which have notorious histories. (Indeed, the stairs Olaf climbs in his self-portrait are the same that Hitler mounted into the Olympic Stadium.) These particular interiors, and the tales they contain, become part of the new story. Olaf’s Berlin series takes us into an enigmatic world where no one is telling us what to believe, but rather engaging us to conjure these stories ourselves. —Lane Nevares