"My goal is to make images that are familiar and dreamlike, evocative of an almost unreachable memory."—Vanessa Marsh
In photography, as in all forms of art, one must travel their own path. Seeing the work of Vanessa Marsh for the first time, I immediately sensed that this young, Oakland-based artist was following a particular vision. It’s refreshing to see images that ask us to slow down, look and ponder what we see.
Her work, which combines a variety of techniques including drawing, sculpture and photography, is layered and resonant with the subconscious. These landscapes, with their familiar elements and generic titles, maintain a silhouette quality to them, asking us to project our own thoughts and experiences onto what we see, and in effect, transforming them into our stories.
Marsh discusses her process in this interview, revealing how the series came about and the specific techniques used in creating it. While her work lacks the confrontation and psychological prowess of a Kara Walker, Marsh is, nevertheless, graciously inviting us to enter her world to dream the dream. —Lane Nevares